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1. #NATIVE INSTRUMENTS ACTION STRINGS KONTAKT MOD#
2. #NATIVE INSTRUMENTS ACTION STRINGS KONTAKT FULL#
3. #NATIVE INSTRUMENTS ACTION STRINGS KONTAKT SOFTWARE#

With Action Strings these worries are largely unfounded. They worry, too, that the ‘musically illiterate‘ among us are going to muscle in on their work. A few become quite heated about it and rant on internet forums about the moral implications of using pre-recorded material in their masterpieces. Others ignore them completely, preferring to compose their own phrases. Some welcome them as time-savers, others use them for inspiration. Phrase libraries like this inevitably cause controversy among composers.

You can also compile your own themes, alter the time signatures, change tempos in real time and create ritardandos and accelerandos, courtesy of Kontakt’s time-stretching engine. Used on its own it soon becomes repetitive, but when used as a rhythmic basis for a track and mixed with other melodic material it blends in very well. What at first appeared to be a rather gimmicky loop library turned out to be a well thought through collection of useful phrases, perfect for cinematic action music. It’s characteristically rhythmic, though, in keeping with the rest of the library. Rhythm is the game here and you won’t find any tear-jerking string lines in Action Strings – it’s not that type of library – but some of the phrases do contain limited melodic material.

#NATIVE INSTRUMENTS ACTION STRINGS KONTAKT MOD#

Dynamics are controlled via the mod wheel. In Action Strings it’s used to switch between major and minor modes and to play a staccato one-shot. However, keyboard velocity does come into play. Of course, being complete recorded phrases you can’t alter the pitch or velocities of individual notes. Most are two or four bars in length and perfect game-music fodder.

#NATIVE INSTRUMENTS ACTION STRINGS KONTAKT FULL#

The process is addictive, good fun and a great way to kick-start a cinematic-style composition.Īs expected with a title like Action Strings, the phrases are very rhythmic, aggressive in nature and chock full of heavily accented staccato notes. By experimenting further with your right hand, all kinds of variations on a theme are possible. For variation, you can switch between phrases as you play at any point in the bar with your left hand. Move to another key and the orchestra changes pitch.Īdd a second note or voice a chord and the phrase becomes more intense. Select a phrase with your left hand and press a note with your right – you’re instantly rewarded with the sound of a full-size string orchestra chugging away on a punchy ostinato. Unusually, the UI features music notation, although you don’t have to read music to use it.

#NATIVE INSTRUMENTS ACTION STRINGS KONTAKT SOFTWARE#

Using the software is very much hands-on, and for fast scoring a MIDI keyboard is needed. Unlike most other titles developed for Kontakt, there is just one instrument, so no trawling through Instruments and Multis is necessary. Once it’s loaded in Kontakt, working with Action Strings is literally a piece of cake.